Moreover, two other, brand new productions have been seen in recent months: You try to keep it in its box of 19th-century Scandinavia, but the things Ibsen writes mean it ceases to be about a particular milieu and becomes about marriage or partnership and money. These are universal anxieties, and it seems from talking to people that it resonates in the most visceral way, especially if they are or have been in a difficult relationship.
The various characters of the play present expressions of different takes on each of these issues. Linde and Nora as examples, we can begin to see how these two characters work together to present a complex perspective on gender roles.
Linde chooses to marry Krogstad so that she can take care of him and his children. She states on multiple occassions that she wishes to have someone to take care of. She cannot imagine life without work and, for her, work implies emotional caretaking. Nora is bonded to her children, not because she is expected to be but because she has an authentic love for them.
She was raised by a nurse, not a mother. Her own mother was not at all a part of her upbringing. Nora wants to be a good mother, yet she chooses to leave her children in the end.
Her choice to leave effectively constitutes a repetition of her own childhood. Not only is she like her father, as Torvald repeatedly suggests, but she is going to be absent to her children as her own mother was absent to her.
These facts present a picture of Nora as a divided figure. She is not only strong-willed and independent when she leaves her husband and children. The story is not as simple as that.
Nora makes a significant compromise when she decides to leave her role as mother behind and chooses to develop her individual identity. However, certain attitudes are presented as being small-minded. In refering to Nora as a little bird and suggesting that her qualities are all essentially defined in what they can do to entertain him, Torvald does Nora a severe disservice.
His treatment of Nora serves to strip her of an important expectation - the expectation that she has a mind of her own; an identity of her own. The action of the play brings Nora to an important realization. This conclusion is not related entirely to social roles, per se. Linde is able to maintain a positive sense of her own identity while marrying.
Her issue has to do with a choice between passivity and self-assertion.Start studying Doll's House by Henrick Ibsen. Learn vocabulary, terms, and more with flashcards, games, and other study tools. Feb 07, · Henrik Ibsen’s () play “The Doll House,” emphasizes the conflicts women face in a male dominant world.
As stated by Gay Gibson Cima (), “A Doll House is, despite those who claim otherwise, linked to feminism.”. In A Doll House, Henrik Ibsen writes about the controversial roles between men and women in the nineteenth century. In this tragic three act play, Ibsen raises the question of how much a woman should have to compromise her own aspirations to fit into society.
(Intercultural implications of Henrik Ibsen's A Doll's House: experiences with a production of Ibsen's play in Mozambique) Ronning, Helge. "Intercultural implications of Henrik Ibsen's A Doll's House: experiences with a production of Ibsen's play in Mozambique." Forum for World Literature Studies (): 75+.
Literature Resource Center. Henrik Ibsen a Doll's House Words | 4 Pages.
In the play A Doll House, by Henrik Ibsen, the convention of marriage is examined and questioned for its lack of honesty.
The play is set in the late s, which provides the backdrop for the debate about roles of people in society. A Doll House: Gender inequality essays Ibsen's A Doll House is a psychological play that shows the inequalities between the two sexes during the late 's early 's and how this inequality affected peoples' lives.
A symbol that Ibsen uses to do this is Nora's "ille.